I'll Try Anything. I'll Do Anything. I'll

It As An Argument Between The World Of Emotion Versus The World Of The Intellect. It's The Idea That You Can Suppress A Person's Mind And A Person's Experiences, Mentally, Psychologically And Intellectually, But You Can't Completely Quiet Them To The Point Of Dormancy And The Emotionally Life A Person. You Still Have The Heart And What The Heart Remembers And What The Heart Experiences. And Even That Isn't Important That That Comes Across.

Yeah Loads Of Bruises And Welts, Usually Around The Hip, Arse, Thigh Region And Elbows. Elbows Got Knocked Up Big Time, But It Was So Much Fun. I Hadn't Done A Meaty Action Film In Seven Or Eight Years, So It Was Fun To Explore That Aspect Of Storytelling Again.

On "[total] Recall" Also [sets Were Extraordinary], But This Was Next-level. They Built Two Or Three Blocks Of Midtown Manhattan In 1926 And It Was Inhabited With 400 Extras And 24 Model Ts And A Train System And All That Kind Of Nonsense. It Was Madness. You Would Walk Into Shops And They Would Have The Goods From That Period, It Was Just Huge.

You Consciously Look After Yourself, Whatever That May Be To You, Whether It's Going Out For A Few Drinks And A Bit Of Dinner, Or Just Hitting The Couch And Watching Tv, Or Going To The Gym Or Yoga Class. Just Being Aware That There's A Potential For You To Be In It And Respecting Wherever You Find Yourself Is Good Enough.

If You Do A Fifteen Hour Day On A Film, There's A Lot Of Time Standing Around But At The End Of That, You Want To Go Home To Your Hotel Room And Have A Bite To Eat, Watch A Movie And Go To Bed.