If You're Afraid To Die, You Will

To Accept One’s Past – One’s History – Is Not The Same Thing As Drowning In It; It Is Learning How To Use It. An Invented Past Can Never Be Used; It Cracks And Crumbles Under The Pressures Of Life Like Clay In A Season Of Drought.

I Remember Standing On A Street Corner With The Black Painter Beauford Delaney Down In The Village, Waiting For The Light To Change, And He Pointed Down And Said, 'look.' I Looked And All I Saw Was Water. And He Said, 'look Again,' Which I Did, And I Saw Oil On The Water And The City Reflected In The Puddle. It Was A Great Revelation To Me. I Can't Explain It. He Taught Me How To See, And How To Trust What I Saw. Painters Have Often Taught Writers How To See. And Once You've Had That Experience, You See Differently.

The Making Of An American Begins At The Point Where He Himself Rejects All Other Ties, Any Other History, And Himself Adopts The Vesture Of His Adopted Land.

The Civilized Have Created The Wretched, Quite Coldly And Deliberately, And Do Not Intend To Change The Status Quo; Are Responsible For Their Slaughter And Enslavement; Rain Down Bombs On Defenseless Children Whenever And Wherever They Decide That Their "vital Interests" Are Menaced, And Think Nothing Of Torturing A Man To Death: These People Are Not To Be Taken Seriously When They Speak Of The "sanctity" Of Human Life, Or The "conscience" Of The Civilized World.

When The South Has Trouble With Its Negroes - When The Negroes Refuse To Remain In Their "place" - It Blames "outside Agitators" And "northern Interference." When The Nation Has Trouble With The Northern Negro, It Blames The Kremlin.