If You Don't Know What Color To

I Would Like To Manage To Prevent People From Ever Seeing How A Picture Of Mine Has Been Done. What Can It Possibly Matter? What I Want Is That The Only Thing Emanating From My Pictures Should Be Emotion.

If There Were Only One Truth, You Couldn't Paint A Hundred Canvases On The Same Theme.

It Would Be Very Curious To Record By Means Of Photographs, Not The Stage Of The Picture, But Its Metamorphoses. Perhaps One Would Perceive The Path Taken By The Mind In Order To Put Its Dreams Into A Concrete Form. But What Is Really Very Curious Is To Observe That Fundamentally The Picture Does Not Change, That Despite Appearances The Initial Vision Remains Almost Intact.

You Can't Escape Your Own Period. Whether You Take Sides For Or Against, You're Always In It.

Photography Has Arrived At The Point Where It Is Capable Of Liberating Painting From All Literature, From The Anecdote, And Even From The Subject. In Any Case, A Certain Aspect Of The Subject Now Belongs To The Domain Of Photography. So Shouldn't Painters Profit From Their Newly Acquired Liberty, And Make Use Of It To Do Other Things?