If We Go For The Easy Way,

It's Very Important That Young Artists Push Boundaries, Because Sometimes You Have This Urge To Do Something - Like The Impulsive And Dangerous Urges I Had As A Child - And If You Don't Follow Through With It You Might Miss Out On A Developmental Experience.

I Don't Know Anything About The Afterlife Because I Haven't Been There Yet.

When I First Had A Video Camera To Document A Performance, It Was In Sweden And I Remember It Was Really Crucial For Me.

We Always Want To Do Things The Way We Like, That's Why We Never Change.

From The Very Early Stage When I Started Doing Performance Art In The '70s, The General Attitude - Not Just Me, But Also My Colleagues - Was That There Should Not Be Any Documentation, That The Performance Itself Is Artwork And There Should Be No Documentation.