If Nothing Is At Risk, Nothing Is

It Is Still True That It Is Easier To Compose A Poem In The Form Of A Manual For Adjusting A Vcr Than It Is To Write A Piece Using Just Tuning As A Symphony.

As A Necessary Prerequisite To The Creation Of New Forms Of Expression One Might, I Suppose, Argue That Current Sensibilities Respond Uniquely To The Notion Of Exhaustion As Exhaustion, Although That Does De Facto Seem Rather Limiting.

I Suppose That The Scope And Implications Of Such Forces Have Rendered My Personal Accounting Ritual Pretty Much Obsolete. That's How Things Sometimes Go.

In My Model, Important Interference Phenomena Arise When Individual Strata Come Into Contact. These Chaotic Fluctuations Are, I Suppose, What My Music Is Really About.

In My Own Recent String Trio I Attempt To Superimpose Two Quite Different Sets Of Formal Strategies, Both Of Which, Ultimately, Refer Back To Historical Precedent.