If I Were In A Position To

The Sort Of Commercial Parameters Of Classical Music Changed After The [world War Ii] , And The Whole Industry Became More Backward-looking.

If Somebody Had Told Me When I Was Starting Composition In Helsinki In The '70s That I Would End Up In L.a. And To Describe That Journey, Those 17 Years With The Philharmonic And Building The Hall And This And That, I Would Have Said, "this Is A Fairy Tale Of The First Order."

We're Not Talking About An Elite Art Form From The Price Point Of View. We Have A Building In L.a. That Is Incredibly Open, Exciting, Inviting, And All That, And There's No Reason For This Music Not To Be Part Of Everybody's Everyday Life.

You Know, In Some Ways Conducting Is Counter-intuitive. It's Like Winter Driving In Finland - If You Skid, The Natural Reaction Is To Fight With The Wheel And Jam On The Brakes, Which Is The Quickest Way To Get Killed. What You Have To Do Is Let Go, And The Car Will Right Itself. It's The Same When An Orchestra Loses Its Ensemble. You Have To Resist The Temptation To Semaphore, And Let The Orchestra Find Its Own Way Back To The Pulse.

Orphei Drängar Possesses A Combination Of Power, Energy, And Culture. Joy Of Discovery Combined With Professional Technical And Musical Prowess.