If I Tried To Make A Commercial

I Still Do Mostly Listen To Cds. I Think That Every Format Really Is A Different Way Of Listening. If You Take A Different Sort Of Psychological Stance To It - Like, I Think The Transition From Vinyl To Cd Definitely Marked A Difference In The Way People Treated Music. The Vinyl Commands A Certain Kind Of Reverence Because It's A Big Object And Quite Fragile So You Handle It Rather Carefully, And It's Expensive So You Pay Attention To How It's Looked After.

Once I Started Working With Generative Music In The 1970s, I Was Flirting With Ideas Of Making A Kind Of Endless Music - Not Like A Record That You'd Put On, Which Would Play For A While And Finish.

What Happens With Notation Is That It Reduces Things To A Language Which Isn't Necessarily Appropriate To Them. In The Same Way That Words Do, You Get A Much Cruder Version Of What Was Actually Intended.

I Felt Extremely Uncomfortable As The Focal Point, In The Spotlight. I Really Like The Behind The Scenes Role, Because All My Freedom Is There.

Be The First To Not Do What Nobody Has Ever Thought Of Not Doing Before.