I'd Say That Any Character Or Setting

When One Of My Characters Becomes Aware Of A Magical Element, It Might Be Because The World Is Wider Than We Assume It To Be, But It Might Also Be A Reminder To Pay Attention To What Is Here Already, Hidden Only Because It's Been Forgotten.

I Think A Good Writer Is A Mix Of Confidence (sure That What They're Writing Is Going To Appeal To Their Readers) And Uncertainty (what If All These Words Are Crap?). If You're Too Confident, You Get An Attitude That Seeps Through Into Your Writing, Affecting The Characters And The Story. If You're Too Uncertain, You'll Never Finish Anything.

The Past Scampers Like An Alley Cat Through The Present, Leaving The Paw Prints Of Memories Scattered Helter-skelter.

People Want To Know Those Details. They Think It Gives Them Greater Insight Into A Piece Of Art, But When They Approach A Painting In Such A Manner, They Are Belittling Both The Artist’s Work And Their Own Ability To Experience It. Each Painting I Do Says Everything I Want To Say On Its Subject And In Terms Of That Painting, And Not All The Trivia In The World Concerning My Private Life Will Give The Viewer More Insight Into It Than What Hangs There Before Their Eyes. Frankly, As Far As I’m Concerned, Even Titling A Work Is An Unnecessary Concession.

Gina Always Believed There Was Magic In The World. "but It Doesn't Work In The Way It Does In Fairy Tales," She Told Me. "it Doesn't Save Us. We Have To Save Ourselves.