Ian And Sylvia, Who, When You Got

Most Of What I Listen To Now Is Mainstream Jazz From 1935 Right Up To And Including Early Bebop And Cool Jazz.

When You're Working In Front Of An Audience, You Have Incentive To Excel.

I Think I Have More In Common With A Carpenter Than You Might Think. We're Putting Things Together.

If I Do A Piece In My Living Room, If I Practice It - And I Have The Tapes To Prove This - It's Not Going To Be As Good As Doing The Same Piece In Front Of An Audience.

In The Early 1970s. 1971, '72. The Rooms Were Closing Down, Record Labels Weren't Signing Acoustic Acts Any More. Although They Had Been Pretty Much Been Getting Out Of That For Some Time Before That.