I Would Say That All Short Stories

You Can Go On Like This For A Very Long Time, And No One Will Notice. You Keep Thinking You're Going To Hit Some Sort Of Bottom, But I'm Here To Tell You: There Is No Bottom.

I Was Worried That, As A College Teacher, If I Wrote Too Much About Intergenerational Sex My Students Would Be Creeped Out.

I'm Working With Fragments A Lot Of The Time And The Connective Tissue Isn't There Yet. I Think Of It The Way Comics Work. You Have A Block Here And A Block Here, And There's This White Space In Between. Somehow Your Mind Makes The Leap To Connect Those Two Blocks. Finding A Way To Trick Your Mind Into Connecting Those Blocks Is One Of The Fun Things For Me About Writing. You Can Have Those Leaps That Will Emerge Into Something, If You're Lucky.

I Started Out As A Poet Who Primarily Wanted To Write About Image And Moment. Over The Years I've Been Trying To Teach Myself How To Do Plot And Scene. My First Story Collection Had The Most Issues With The Plotlessness, And When I Was Writing My Second Collection I Was Teaching Myself How To Make Things Happen.

I've Never Been Able To Sleep Very Much, Even When I Was A Kid. I Used To Hate Being Forced To Lay In Bed In The Darkness, And Just Shifting In Bed And Staring At The Shadows.