I Would Certainly Say That Films Like

You Make Sure That There's A Structure That's Interesting For Them To Play On Top Of, Then Do Temp Versions And Try It On The Film. By The Time The Players Come To The Recording Session, I've Found What Works. So I'm Not Wasting Their Time.

I Made My First Film On 16mm. Then I Began Using 35mm.then I Began Working In Hollywood. And I Began To Really Understand How Films Were Made By Professionals. I Have To Say I Wasn't Very Impressed.

Then I Became Interested In Drama, And Almost By Accident, I Drifted Into Film.

When I Do The Music, I Make The Musicians Listen To What's Happening In The Film. That Way They Treat The Dialogue As If It Was A Singer.

I've Held Onto Little Musical Sketches That I Thought Could Be Useful, And The More Time That I Spend Doing Them For Each Film, Then The More I Have To Draw On.