I Worked With Someone Else's Photos; I

Architecture Is My First Love, If You Want To Talk About What Moves Me... The Ordering Of Space, The Visual Pleasure, Architecture's Power To Construct Our Days And Nights.

It Entered The Visual Vocabulary Of Photographers, Painters And Sculptors And Focused On What Pictures And Words Look Like And What They Can Mean.

I'm Trying To Deal With Ideas About Histories, Fame, Hearsay, And How Public Identities Are Constructed.

But I Really Resist Categories – That Naming Is A Closing Down Of Meaning. Women's Art, Political Art – Those Categorisations Perpetuate A Certain Kind Of Marginality Which I'm Resistant To. But I Absolutely Define Myself As A Feminist.

I Think That The Exactitude Of The Photograph Has A Sort Of Compelling Nature Based In Its Power To Duplicate Life. But To Me The Real Power Of Photography Is Based In Death: The Fact That Somehow It Can Enliven That Which Is Not There In A Kind Of Stultifying Frightened Way, Because It Seems To Me That Part Of One's Life Is Made Up Of A Constant Confrontation With One's Own Death.