I Went To A Catholic School. The

I Don't Turn My Nose Up At Anything. If It's A Great Part, It's A Great Part. It's Not Like, "i Don't Make Studio Films; I Work For David Lynch And Maybe A Few American Playhouse Directors, But That's It" - I'd Love To Do A Box-office Hit.

I Think It's Interesting That There's Always A Dark Cloud Hanging Over My Character, In Every Movie. Even In Fat Man And Little Boy, Where It's A Real Dark Cloud. In Mask, It's More The Judgment Of Others, But It's Still A Threat.

I Knew You Had To Go In And Audition And Maybe They'd Hire You, And That's Where You Start. I Had A Good Understanding About Press: That It's The Actor's Responsibility To Publicize His Or Her Films.

The Actors Are Telling The Truth On Some Level, And People Have To Believe It. At Cannes, A Lot Of People Said, "oh, Shocking," But This Italian Girl Said To Me, "my God, I Just Said That To My Boyfriend The Other Night." That's What Lula From Wild At Hearts Talks About. That's Life - To Turn Each Other On, To Feel Good, To Feel In Love.

I Was Raised By An Actress, And I Watched All Those Women Turn 60 And Ask, "should I Get Face Work?" And My Mother And Anne Bancroft Said To Each Other, "we Are Who We Are, And We're Not Going To Fall Into That."