I Was Always Extremely Curious About Why

Before I Became A Film Major, I Was Very Heavily Into Social Science, I Had Done A Lot Of Sociology, Anthropology, And I Was Playing In What I Call Social Psychology, Which Is Sort Of An Offshoot Of Anthropology/sociology - Looking At A Culture As A Living Organism, Why It Does What It Does.

I Wanted Yoda To Be The Traditional Kind Of Character You Find In Fairy Tales And Mythology. And That Character Is Usually A Frog Or A Wizened Old Man On The Side Of The Road. The Hero Is Going Down The Road And Meets This Poor And Insignificant Person. The Goal Or Lesson Is For The Hero To Learn To Respect Everybody And To Pay Attention To The Poorest Person Because That's Where The Key To His Success Will Be.

[in Ancient Rome,] Why Did The Senate After Killing Caesar Turn Around And Give The Government To His Nephew? Why Did France After They Got Rid Of The King And That Whole System Turn Around And Give It To Napoleon? It's The Same Thing With Germany And Hitler.

A Special Effect Is A Tool, A Means Of Telling A Story. A Special Effect Without A Story Is A Pretty Boring Thing.

George Orwell Was Right. There's No Greater Genius As Far As I'm Concerned In Terms Of Understanding Human Nature. I Think That A Lot Of People Just Believe Anything You Tell Them, And No Matter What It Is, They Just Go Along With The Program. They're Perfectly Happy To Take Their Pill Every Day And Do What They're Told, And Work And Buy Things, And Work And Buy Things, And Stay Out Of Any Complex Emotional Situations. And Whatever The Authorities Tell Them To Do, They Do, And Whatever The Authorities Say Is The Truth, They Believe Is The Truth.