I Was A Very Fearful Little Kid,

It's Hard To Tell If Anyone's Interested In Reading A Serialized Story. But It's Interesting To Put In A Cliffhanger Each Week. That Was Popular In Old Comic Strips. They'd Write A Weekend Story Different From The Daily Strip. So People Follow One Story Day To Day, And A Separate Story On Weekends. If You Read Them, You Think "i'll Read Two More." Then You're Like "i Gotta Find Out!" And You Read 500 More.

If I Could Have Somehow Been The Kind Of Artist Who Could Crank Out Two Or Three Issues A Year, That's Different. That's Sort Of What It's All About, To Get This Thing Out So That There's Some Kind Of Continuity. But To Do A Comic Book Every Year Or Two Was Just So Anti-climactic.

If You Think About It Enough To Have A Really Articulate Answer, You're Not Doing It Right. That's How I Feel About Art. If Your Thought Process Could Take You To Knowing Exactly What You're Doing And Why, There Would Be No Point In Making The Art. It Would Become Like Propaganda. It's More Nebulous Than That.

I Try To Only Work On The Screenplays For A Few Hours A Day When I'm In My Most Voluble Mood, Just Sort Of Writing Whatever Comes Into My Head. It's A Very Freeing Thing.

I Actually Start Drawing Things. Usually They're Abandoned Before I Commit Too Much Time And Effort.