I Try To Get Closer To Reality,

It's A Disease Of Critics That Once They've Labeled Someone, It's Very Hard To Change Their Perspective. It's Laziness.

I Make My Films Because I'm Affected By A Situation, By Something That Makes Me Want To Reflect On It, That Lends Itself To An Artistic Reflection. I Always Aim To Look Directly At What I'm Dealing With. I Think It's A Task Of Dramatic Art To Confront Us With Things That In The Entertainment Industry Are Usually Swept Under The Rug.

If I Tell The Audience What They Should Think, Then I Am Robbing Them Of Their Own Imagination And Their Own Capacity Of Deciding What's Important To Them.

Because I'm The Author Of My Screenplays I Know What I'm Looking For. It's True That I Can Be Stubborn In Demanding That I Get What I Want, But It's Also A Question Of Working With Patience And Love.

For Me, It's Always Difficult When A Historical Film Claims To Depict Or Represent A Reality That None Of Us Can Know, That Is Always Different. It's Always The Case. We Never Know What Happened Then. So My Approach With The Narrator Is To Question That, To Leave That Open, To Underline The Fact That This Is Uncertain.