I Tried For About Two Semesters In

On The One Hand, You're The Same Person, But As You Get Older, You Change Somewhat, And You Never Know How It's Going To Affect Your Work.

An Interviewer Once Asked Me To Discuss My Collaboration With Elmer Bernstein, And Precisely Why I Chose To Work With Him. My First Thought Was: How Could I Not Work With Elmer, When I Had The Chance? Simply Put, He's The Best There Is-the Very Best.

Always Get To The Set Or The Location Early, So That You Can Be All Alone And Draw Your Inspiration For The Blocking And The Setups In Private And Quiet.

Actually, I Was Rock Climbing On This Film At 7 In The Morning. It Was Quite Unique! But In Any Event, The Colour Of The Leaves Disturbed Me So We Had To Work On That. On The Other Hand, I Didn't Want To Drench It In A Kind Of Depressing Tone.

Every Year Or So, I Try To Do Something; It Keeps Me Refreshed As To What's Going On In Front Of The Lens, And I Understand What The Actor Is Going Through.