I Think You Know, To Not Open

I'm Not A Superhero Fan. I Don't See Those Films. I'm Not Interested.

I'm Just Into Making Quality Stuff If I Can, With Interesting People And Good Scripts. But It's Very Important That It's About Something And That It Says Something. Otherwise, I Don't Know What The Point Is, Really.

Everyone Has To Understand What We're Saying To One Another And There's No Point In Me Thinking The Line Means This And The Person I'm Speaking To Thinks It Means Something Else. So There's A Certain Amount Of Analyzing Of Text That's Of Course Necessary.

It's Impossible To Put Your Finger On What That Is Exactly Other Than Protecting The Environment That The Actors Get To Find The Scenes And Build The Scenes And Invest In Them. I Think That's Key And That's What I've Learned From All The Great Directors I've Worked With.

I Would Encourage You As A Screenwriter To Trust Your Story And Don't Make Notes For The Actors Or Don't Make Notes For The Reader.