I Think You Have To Keep A

There's A Perception That If An Artist Produces Another Artist, They're Going To Imprint On Them. But I'm The Opposite. I Want To Hear That Artist; I Don't Want To Hear Me - That's The Last Thing I Want To Hear. There Are A Lot Of Technical Studio Things I've Learned Or Figured Out, And I Feel Like I Could Use Those Things To Help Other People With What They're Doing.

I Remember You Would Record A Guitar Part, And We Would Have To Sit There For 15 Or 20 Minutes Waiting For The Computer To Process It. You'd See The Little Wheel Spinning On The Computer, And You'd Be Praying That The Hard Drive Didn't Crash And You Didn't Lose The Performance.

When You Use Some Of The More Modern Recording Devices And Pro Tools, When You Get Into The Technology, You Are Aching To Get Into Some Territory.

When I Did "top Of The Pops" For The First Time, Ace Of Base Was One Of The Other Bands, And I Have A Memory Of Them On A Small Stage Next To Me In The Tv Studio. A Memory Of Their Performance Is Burned Into My Mind. Seared.

There's 40 Or 50 Songs That Nobody's Heard That I've Done In Between Albums. There's A Whole Evolution From Midnite Vultures To Sea Change That's Never Been Released.