I Think When Something Is Apolitical And

What I Find Interesting Is This Ricochet Effect, That The Audience Perceives The Work And Then Does Something With It, Throws It Back To The World, And There's An Ongoing Interaction Between Work And Audience, Which Doesn't Belong To The Artist Anymore - From The Moment You Release It, It Doesn't Belong To Anybody.

I Remember When I Was 26. My Father Died When I Was Young And My Mother Didn't Have A Lot Of Money, So I Thought, 'i Want To Own A Flat By The Time I'm 26.' So I Worked Towards That, Literally Trying To Scrimp And Save. But Sometimes Those Plans Don't Go As You Expect.

My Husband Wasn't Put Off By It - He Thought It Was Hilarious To See Me Dressed As Dylan! He Didn't Particularly Want To Kiss Me With Stubble All Over My Face - It Felt A Bit Odd! But I Think He's Used To It [the Make-up Process].

Planning Cities Is A Necessary But Risky Business.

I Don't Understand A Way To Work Other Than Bold-facedly Running Towards Failure.