I Think This Notion Of Acting And

An Actor Has To Be Very, Very Careful, As One Of The Most Wonderful Props - And Actors Love Props - Is A Cigarette. There's So Much To Do With It: You Can Bring It Up To Your Face, Play With The Smoke. It's Just The Greatest - Ever Since I Was 16 And In Acting School In England, I've Been Playing Around With Cigarettes.

I Don't Tend To Use Technology All That Much. Of Course, I Can't Avoid It - It's Called The Telephone Nowadays. And I Do A Certain Amount Of Email, Work-related Primarily, On It. But I Don't Do A Lot Of Looking For Things Online.

You Have This Certain About Of Responsibility To Play A Fictitious Character And You Have A Script That's Guiding You And The Other Information Of The Custom Department's Choices, And The Set Department, "where Are You," And All Those Other Pieces Of Information But You Have To Cull From Your Imagination The Answer To All The Unasked Questions. And With A Real Person, There's Someone To Get That Information From, Perhaps.

It's Not Exactly An Interview That's Going On [in Documentary]. I Guess We Do Ask Edward Snowden Some Questions And We're Recording Him Answering Them And So On Like That.

I Was Really Not Familiar At All With Edward Snowden. I Like To Get That Right Out Of The Way And Really Learned Most Of What I Know From Oliver's [stones] Script.