I Think That Sex, Drugs, Art And

What People Call Unemotional Just Doesnt Have A Single Overriding Emotion To It. The Things That I Like Best Are The Ones That Ambiguous On The Emotional Level.

Most Of Those Melodies Are Me Trying To Find Out What Notes Fit, And Then Hitting Ones That Don't Fit In A Very Interesting Way.

Well, I Am A Dilettante. It's Only In England That Dilettantism Is Considered A Bad Thing. In Other Countries It's Called Interdisciplinary Research.

I Think The Other Thing That's Important Is Getting To A Place, Which Very, Very Rarely Happens With Improvising Groups, Where Somebody Can Decide Not To Play For A While. You Watch Any Group Of Musicians Improvising Together And They Nearly All Play Nearly All The Time. In Fact I Often Say That The Biggest Difference Between Classical Music And Everything Else Is That Classical Musicians Sometimes Shut Up Because They're Told To, Because The Score Tells Them To. Whereas Any Music That's Sort Of Based On Folk Or Jazz, Everybody Plays All The Time.

Of All The Things You Can Now Do, Which Do You Choose To Do?