I Think That It's Workshops, Honestly, That

"you Know You Are Seeing Such A Photograph If You Say To Yourself, "i Could Have Taken That Picture. I've Seen Such A Scene Before, But Never Like That." It Is The Kind Of Photography That Relies For Its Strengths Not On Special Equipment Or Effects But On The Intensity Of The Photographer's Seeing. It Is The Kind Of Photography In Which The Raw Materials-light, Space, And Shape-are Arranged In A Meaningful And Even Universal Way That Gives Grace To Ordinary Objects."

Increasingly, It's People Not Interested In National Geographic.

The Thing With My Workshops Is, Photography Is A Thoughtful Process. In An Atmosphere Of Fast Photography, And Generally Thoughtless, Quick, Automatic Photography, I Think That There Is An Interest In The Slowed Down, Thoughtful Approach.

I Started Teaching In '76 And I'd Been A Photographer At The Geographic For Six Years. But Prior To Being At The Geographic I Was A Teacher. Plus My Parents Were Teachers And My Brother And My Grandparents. So It Was The Culture Of Our Family To Think About Teaching, To Talk About Teaching, To Talk About Teachers.

What I'm Interested In Is Modern American History. I'm Taken With The Changes That Have Occurred In America In My Lifetime.