I Think Cynicism Lasts. Sentimentality Ages, Dates

All Three Parts Of Filmmaking [writing, Shooting, Editing] Contribute To Rhytm. You Want The Script To Be A Tight As Possible, You Want The Acting To Be As Efficient As Possible On The Set, And You Have Enough Coverage To Manipulate The Rhythm In The Editing Room, And Then In The Editing Room You Want To Find The Quickest Possible Version, Even If It's A Leisurely Paced Film. I Definitely In Filmmaking More And More Find Writing And Directing A Means To Harvest Material For Editing. It's All About Editing.

What Is Filmmaking But Groping In The Dark?

Independent Means One Thing To Me: It Means That Regardless Of The Source Of Financing, The Director's Voice Is Extremely Present. It's Such A Pretentious Term, But It's Auteurist Cinema. Director-driven, Personal, Auteurist... Whatever Word You Want. It's Where You Feel The Director, Not A Machine, At Work. It Doesn't Matter Where The Money Comes From. It Matters How Much Freedom The Director Has To Work With His Or Her Team. That's How I Personally Define Independent Movies.

Were "a Clockwork Orange" Or "blue Velvet" Released Today, Would They Have The Same Power To Shock That They Had When They Came Out? Are We Too Inured By That Torrent Of Images And The Ridiculousness Of Modern Political Life, So That Nothing Shocks Us Anymore? What Does It Take To Shock Someone Today - Or At Least Jolt Them? I Don't Have An Answer. I'm Just Asking The Question.

You Just Never Know When You're Living In A Golden Age.