I Take The Museum Space Also As

No Matter How Advanced Society Becomes, Institutionally Or Technologically, A House In Which Nature Can Be Sensed Represents For Me The Ideal Environment In Which To Live. From A Functional Viewpoint, The Courtyard Of The Rowhouse In Sumiyoshi Forces The Inhabitant To Endure The Occasional Hardships. At The Same Time, However, The Open Courtyard Is Capable Of Becoming The House's Vital Organ, Introducing The Everyday Life And Assimilating Precious Stimuli Such As Changes In Nature.

If You Give People Nothingness, They Can Ponder What Can Be Achieved From That Nothingness.

I Don't Look So Closely At Women's Fashion, But From The 20th Century On, People Have Had The Freedom To Express Themselves And Their Individualities, And Fashion Is One Of The Most Fundamental Ways In Which They Do This, Men And Women Are Equally Able To Express Themselves.

I Like Ruins Because What Remains Is Not The Total Design, But The Clarity Of Thought, The Naked Structure, The Spirit Of The Thing.

In Japan, There Is Less A Culture Of Preserving Old Buildings Than In Europe.