I Take A Cliche And Try To

I Kind Of Do The Drawing With The Painting In Mind, But It's Very Hard To Guess At A Size Or A Color And All The Colors Around It And What It Will Really Look Like.

People Think One-point And Two-point Perspective Is How The World Actually Looks, But Of Course, It Isn't. It's A Convention.

But Usually I Begin Things Through A Drawing, So A Lot Of Things Are Worked Out In The Drawing. But Even Then, I Still Allow For And Want To Make Changes.

My Work Sanitizes It (emotion) But It Is Also Symbolic Of Commercial Art Sanitizing Human Feelings. I Think It Can Be Read That Way.... People Mistake The Character Of Line For The Character Of Art. But It's Really The Position Of Line That's Important, Or The Position Of Anything, Any Contrast, Not The Character Of It.

But When I Worked On A Painting I Would Do It From A Drawing But I Would Put Certain Things I Was Fairly Sure I Wanted In The Painting, And Then Collage On The Painting With Printed Dots Or Painted Paper Or Something Before I Really Committed It.