I Serve Like A Bridge. I Go

We Always Project Into The Future Or Reflect In The Past, But We Are So Little In The Present.

It's Very Important That Young Artists Push Boundaries, Because Sometimes You Have This Urge To Do Something - Like The Impulsive And Dangerous Urges I Had As A Child - And If You Don't Follow Through With It You Might Miss Out On A Developmental Experience.

I Had To Leave Some Traces. In The Beginning, I Would Give Complete Instructions To The Photographer. In The '70s, People Would Come To Photograph Your Work And You Would Just End Up With This Crazy Material That Had Nothing To Do With Your Work; Maybe I'd Pick Up Two Or Three Photographs That Were The Closest To The Idea. This Is Why When You Look At The '70s, You See Much Less Documentation And Really Bad Material. The Material Will Become Misleading To What The Piece Was.

You See, What Is My Purpose Of Performance Artist Is To Stage Certain Difficulties And Stage The Fear The Primordial Fear Of Pain, Of Dying, All Of Which We Have In Our Lives, And Then Stage Them In Front Of Audience And Go Through Them And Tell The Audience, I'm Your Mirror; If I Can Do This In My Life, You Can Do It In Yours.

We Are Always In The Space In-between... All The Spaces Where You Are Not Actually At Home. You Haven't Arrived Yet.... This Is Where Our Mind Is The Most Open. We Are Alert, We Are Sensitive, And Destiny Can Happen. We Do Not Have Any Barriers And We Are Vulnerable. Vulnerability Is Important. It Means We Are Completely Alive And This Is An Extremely Important Space. This Is For Me The Space From Which My Work Generates.