I Recommend The Art Of Slow Reading.

The Revival Of Hebrew, As A Spoken Language, Is A Fascinating Story, Which I'm Afraid I Cannot Squeeze Into A Few Sentences. But, Let Me Give You A Clue. Think About Elizabethan English, Where The Entire English Language Behaved Pretty Much Like Molten Lava, Like A Volcano In Mid-eruption. Modern Hebrew Has Some Things In Common With Elizabethan English. It Is Being Reshaped And It's Expanding Very Rapidly In Various Directions. This Is Not To Say That Every One Of Us Israeli Writers Is A William Shakespeare, But There Is A Certain Similarity To Elizabethan English.

When I Say My Novels Are Set In Israel In The Last Seventy Years, This Entails The Fact That They Begin Hundreds Or Thousands Of Years Earlier In Time. And, Sometimes In Very, Very Different Places, Because We All Come From Somewhere, Especially Here In Israel.

I'm A Great Believer In Compromise. I Know It's Not Popular Among Young Idealists. Compromise Is Not Popular. It's Not At All Popular Among Young People Who These Days Call Themselves "activists." They Think Compromises Are Dishonest, Opportunistic, Humiliating. Not In My Vocabulary. In My Vocabulary, The Word "compromise" Is Synonymous To The Word "life".

I Don't Think Israelis Are Less Critical Of Corruption Than People In Italy, France Or America. Israel Is Special In A Different Way. There Is A Daytime Israel And A Nighttime Israel. The First Is Self-confident, Pushy And Passionate, Like Other Mediterranean Lands. It Is Hedonistic, Materialistic And Almost Arrogant. During The Nighttime, People Are Terrified, People Are Filled With Existential Dreads. These Fears Aren't Baseless.

All Of My Novels Are Democracies.