I Never Worked At Painting As If

Turning To The Colour-classification Methodology: The Starting Point Are The Four Pure Colours Red, Yellow, Green And Blue; Their In-between Shades And Scales Of Brightness Result In Colour Schemes Containing 16, 64, 256 And 1,024 Shades. More Colours Would Be Pointless Because It Wouldn't Be Possible To Distinguish Between Them Clearly.

Picturing Things, Taking A View, Is What Makes Us Human; Art Is Making Sense And Giving Shape To That Sense. It Is Like The Religious Search For God.

Well, I Don't Believe There Are Subjects That Can't Be Painted, But There Are A Lot Of Things That I Personally Can't Paint.

Yes, We Were Amazed When That Happened. It Was A Real Joke To Us. Konrad Lueg And I Did A Happening, And We Used The Phrase Just For The Happening, To Have A Catchy Name For It; And Then It Immediately Got Taken Up And Brought Into Use. There's No Defence Against That - And Really It's No Bad Thing.

Almost Every Work Of Art Is An Analogy. When I Make A Representation Of Something, This Too Is An Analogy To What Exists; I Make An Effort To Get A Grip On The Thing By Depicting It. I Prefer To Steer Clear Of Anything Aesthetic, So As Not To Set Obstacles In My Own Way And Not To Have The Problem Of People Saying: 'ah, Yes, That's How He Sees The World, That's His Interpretation.'