I Never Act. I Simply Bring Out

If You Get Stuck And It Feels A Little Stiff, Then You Do Have To Mess It Up To Find It. But Other Times It's Really Written And You Just Stick To Your Guns And Do It As Elegantly And As Concentrated And As Committed As You Can.

I Feel Like It's Important To Be Flexible, Particularly When I'm Coming In Late In The Game And I'm Connective Tissue In The Story. I'm Not At The Very Center. It's Important For Me To Have A Certain Kind Of Flexibility And Try To Help People Do What They Need To Do.

You Can Be Intuitive When You've Got A More Expansive Role. You Can Get Into The Poetry Of Telling The Story Rather Than Just Pushing Buttons.

I Have Some Sort Of Affinity For Compulsive Behavior. The Most Interesting Stories Come Up From The People On The Outside. They Don't Waste Energy Marching To The Same Drummer Most Of Us Do. It Gives Us An Opportunity To Look At Things In A Different Way, Which Is The Purest Thing Cinema Can Do.

Mounting Those Red Stairs [in Cannes] Is Something I've Done With A Very Different Intention Many Times. So It's Interesting Any Time You Witness Those Shifts Of Perspective. The Beach Scenes Were Also Fun. It Felt Very Strange And Very Theatrical To Kind Of Commandeer It And Have La Mer Booming Over The Speakers.