I Make A Lot Of Pieces Of

I'm Not Interested In Possible Complexities. I Regard Song Structure As A Graph Paper.

I Enjoy Working With Complicated Equipment. A Lot Of My Things Started Just With A Rhythm Box, But I Feed It Through So Many Things That What Comes Out Sounds Very Complex And Rich.

Quite Often, And In Fact More Often, I Would Say, I'm Struggling All The Way Through To Think, "what Is It I Like About This? What Is The Personality Of This Thing I'm Hearing That I Like So Much?" And It's Nearly Always A Sort Of Mixed Emotion, Which Is Why I Like It. It's Something That I Have Mixed Feelings About In The Sense That It's Both, Say, Placid And Dangerous, Or Bitter And Sweet, Or Dark And Bright.

The Whole Point Of Art, As Far As I’m Concerned, Is That Art Doesn’t Make Any Difference. And That’s Why It’s Important. Take Film: You Can Have Quite Extreme Emotional Experiences Watching A Movie, But They Stop As Soon As You Walk Out Of The Cinema. You Can See People Being Hurt, But Even Though You Feel Those Things Strongly, You Know They’re Not Real.

Everything Is An Experiment Until It Has A Deadline. That Gives It A Destination, Context, And A Reason.