I Make A Lot Of Pieces Of

Quite Often, And In Fact More Often, I Would Say, I'm Struggling All The Way Through To Think, "what Is It I Like About This? What Is The Personality Of This Thing I'm Hearing That I Like So Much?" And It's Nearly Always A Sort Of Mixed Emotion, Which Is Why I Like It. It's Something That I Have Mixed Feelings About In The Sense That It's Both, Say, Placid And Dangerous, Or Bitter And Sweet, Or Dark And Bright.

Look Closely At The Most Embarrassing Details, And Amplify Them.

For Me It's Always Contingent On Getting A Sound-the Sound Always Suggests What Kind Of Melody It Should Be. So It's Always Sound First And Then The Line Afterwards.

One Of The Things You're Doing When You Make Art, Apart From Entertaining Yourself And Other People, Is Trying To See What Ways Of Working Feel Good, What Feels Right.

One Of The Great Breakthroughs Of Evolution Theory Is That You Start With Simple Things And They Will Grow Into Complexity.