I Love You, Rotten, Delicious Rottenness. ...wonderful

The Artist Usually Sets Out -- Or Used To -- To Point A Moral And Adorn A Tale. The Tale, However, Points The Other Way, As A Rule. Two Blankly Opposing Morals, The Artist's And The Tale's. Never Trust The Artist. Trust The Tale. The Proper Functions Of A Critic Is To Save The Tale From The Artist Who Created It.

Anyone Who Is Kind To Man Knows The Fragmentariness Of Most Men, And Wants To Arrange A Society Of Power In Which Men Fall Naturally Into A Collective Wholeness, Since They Cannot Have An Individual Wholeness. In This Collective Wholeness They Will Be Fulfilled. But If They Make Efforts At Individual Fulfilment, They Must Fail For They Are By Nature Fragmentary.

The Autumn Always Gets Me Badly, As It Breaks Into Colours. I Want To Go South, Where There Is No Autumn, Where The Cold Doesn't Crouch Over One Like A Snow-leopard Waiting To Pounce.

The Moon Is A White Strange World, Great, White, Soft-seeming Globe In The Night Sky, And What She Actually Communicates To Me Across Space I Shall Never Fully Know. But The Moon That Pulls The Tides, And The Moon That Controls The Menstrual Periods Of Women, And The Moon That Touches The Lunatics, She Is Not The Mere Dead Lump Of The Astronomist. . . . When We Describe The Moon As Dead, We Are Describing The Deadness In Ourselves. When We Find Space So Hideously Void, We Are Describing Our Own Unbearable Emptiness.

Ours Is Essentially A Tragic Age, So We Refuse To Take It Tragically.