I Love You Is Unsubtle. It Removes

Painting Can Feign Reality Without Having Seen It.

The Photographer, Like An Acrobat, Must Defy The Laws Of Probability Or Even Of Possibility; At The Limit, He Must Defy Those Of The Interesting: The Photograph Becomes Surprising When We Do Not Know Why It Has Been Taken.

It Is No Longer The Sexual Which Is Indecent, It Is The Sentimental.

Ultimately — Or At The Limit — In Order To See A Photograph Well, It Is Best To Look Away Or Close Your Eyes. 'the Necessary Condition For An Image Is Sight,'janouch Told Kafka; And Kafka Smiled And Replied: 'we Photograph Things In Order To Drive Them Out Of Our Minds. My Stories Are A Way Of Shutting My Eyes.

Rarely Do Outside Of School Remedies Work Their Way Into The Fabric Of The Schools Or Into The Teachers Lives, And More Rarely Into The Classrooms. Therefore They Only Offer A Modest Hope Of Influencing The Basic Culture Of The School