I Love My Job Very Much, And

In The Most Basic Terms It Was About How When We Experience Art Without Critical Awareness We Consent To The Ideas Being Promoted, Either Intentionally Or Unintentionally, By The Filmmaker. For Instance, If You Watch A Racist Comedian And Laugh At His Jokes, You Are Consenting To The Prejudices Inherent Within Them. Similarly, If You Watch A Movie Which Perpetuates Conventional Ideas About Race, Gender, Etc., You Are Consenting To Them And Not Affecting Change In Any Way.

We Don't Watch The Film Anymore Because We've Seen It So Many Times, So We'll Introduce It, Walk Out And We'll Come Back In Right About When I Wake Up In The Morning And Walk Over To The Shop And Everything's Changed.

Also, If You Watch The Film Once, There Are Lots Of Things That You Won't Get Because There Are Punch Lines In The First Act, The Setup To Which Isn't Until The Second Act.

We Realised That It Was Important To Embrace This Popcorn Logic, That It Works, That It's Funnier When You Fire 20 Rounds From One Tiny Pistol. Then It Becomes The Joke, It's Funnier When You Pay Less Attention.

The Trouble With Improv Is That It Is Often About Being Funny In The Moment Without Any Real Consideration For The Bigger Picture.