I Like To Think I'm Un-categorisable.

Sometimes Films Ignore Other Points Of View Because It's Simpler To Tell The Story That Way, But The More Genuine And Sympathetic You Are To Different Points Of View And Situations, The More Real The Story Is.

Basically The Movies I Make Are My Life, So I Choose How I Want To Live My Life For The Next Two Years. So That's A Decision I Have To Make. At Some Point If I Feel There Are Enough Elements - It Doesn't Even Have To Have Great Characters Or Great Stories - It's Just Elements That Can Get My Excitement And Curiosity For One Or Two Years, Then I'll Jump In And I'll Find Out What That Is. Then I Have To Do [interviews Like This] And Rationalize Why I Do This.

I Think Doing Period Piece Is Easier, Because After A Certain Distance, Everybody Is Equal, I Think. The Relative Contemporary Is Harder. I Think That's The Way It Is.

I Think It[3d] Should Be Used As A New Artistic Form, Not As A Gimmick, Not To Impress You But The Existence Of An Environment That You View As A Theatrical Dramatic Experience Is - You Don't Just Have The X-y Axis, You Have The Z And That Makes A Difference. You Still Have The Framing, You Still Use Lenses, So Most Of The Cinematic Rules And Languages Still Apply But I Think It's A Different Existence.

What Is Really A Stretch To Me Is To Make Quick Decisions.