I Like Books That Don't Give You

What Interests Me In [lincoln In The Bardo] Is A Slight Perverse Balance Between The Sublime And The Grotesque. Like You Could Have Landed Only On The Sublime. But My Argument Is That The Sublime Couldn't Exist Without This Other Half.

Rarely Does One See A Squirrel Tremble.

It Seems That If You Put People On Paper And Move Them Through Time, You Cannot Help But Talk About Ethics, Because The Ethical Realm Exists Nowhere If Not Here: In The Consequences Of Human Actions As They Unfold In Time, And The Multiple Interpretive Possibility Of Those Actions.

The Roots Of Rap Are Originally Ghetto-ised Or Extremely Working Class. So When You're An Artist Who's Making Something Which Isn't How Its Mainstream Appearance Should Be, There's Always These Strange Questions Of Authenticity And What You Have To Do To Be 'real' As A Rapper.

[george Saunders] Is Very Precise About What He Is Doing. There Isn't A Thing Left To Chance.