I Know Why We Can't Have A

I Suppose I Could Try To Be Some Avant-garde Artist If I Wanted To, But That Doesn't Interest Me As Much.

I Just Produced Criminal, This Remake Of Nine Queens, And One Of The Things That Appealed To Me About Nine Queens Is That It Was A Performance Piece, And That's The Most Fun.

Whenever You Experiment With Something, It's Very Easy To Take The Emotion Out Of It. And Going Back And Forth Between Wanting To Be Respected Artistically And Wanting To Move People Is Its Own Challenge.

I've Tried To Get Better About Weighing What I Think The Accessibility Of An Idea Is Against The Cost Of Executing It. I've Tried To Be Smarter About That, Because If You're Not Smart About That, You're Going To Be Unemployed. But I'm Still Mystified About What Works For People. And I'm Not Talking About My Movies, I'm Talking In General. I'm Mystified By The Stuff That Doesn't Work. I'm Mystified By What's Going On In The Critical Side, Too.

[i Watch] Fincher, Spielberg, Cameron, Mctiernan. Just People Who Are Good At Staging Action. I Like To Know Where I Am. I Don't Like The Kind Of Cutting Where You Don't Know Where You Are.