I Know What To Do With My

The Office Is A Romantic Enabler Because You're Always Around The Person You Have A Crush On. There's No Escape From, And Maybe No Desire To Escape From, Those Pressure-cooker Conditions. And There's An Automatic Series Of Things You Have To Talk About All The Time.

That's One Of The Things About Comedy - I Think It Works Best When It's Contextualized, As Opposed To Kind Of An Island Of Cleverness.

I Think Comedy Is So Much Easier To Do On The Page Than It Is In Real Life. When I'm Writing, Comedy Is An Easy Way To Win Over The Reader. You're Automatically More Disposed To Keep Reading, Thinking Maybe, "i'll Get Another Laugh Or Two." I Think It's A Survival Instinct In Me. I Mean, You Don't Want To Lose These Guys Within Five Or Ten Pages. You Want Them To Keep Going. I Think To Some Extent It's A Desperate Measure That I Throw Out There, Because A Novel Isn't A Complete Waste Of Time If It Made You Laugh.

To Conform Is To Lose Your Soul

I'm Not Sure That All Books Aren't That Way. I Think That Might Apply To Any Book I Was Writing. The Book Was Kind Of The Product Of This Enormous Infatuation I Had, Not Only With The Office And Office Politics, But With Perspective, And Trying To Tell A Story From As Wide A Range Of Perspectives As You Possibly Can. I Tried To Capture It All With The First-person Plural, But Once I Settled On That, I Used It To Tell The Story From As Many Angles As I Could. I Guess, To Put It Romantically, It Was About A Love Affair With The Craft Of Perspective.