I Helped Develop Disney's) Special Effects Department

We Don't Have Too Much Ritual In Our Life Anymore. And These Life Symbols Which People Rely On To Keep Their Feeling Of Well Being, That Life Is Not Too Bad After All Are Required More And More.

We've Achieved This Feeling, For Instance, With The Colors. The Colors In The Park Are Harmonious With Each Other, Not Like In Big Cities Where They Don't.

Color Is A Very Critical Thing. I've Found That Architects Don't Like Colors. Engineers Too. And So Somebody Has To Stand In. Because This Is The Finish Of It. It Is The Emotional Part Of A Structure.

I Thought That It Would Be Easier To Learn That If I Worked In Motion Pictures. So I Went To Work With One Motion Picture Producer Who Was Developing A Color System. This Didn't Do To Me Much Good. All I Did Was Pick Filters For The Camera.

I Helped Develop Disney's) Special Effects Department At That Time, Which Helped Very Much When We Worked On "20000 Leagues Under The Sea"