I Have No Complaints, Except For The

I Have Frequently Said, And I Will Repeat Again, In The Manner Of Any Well-meaning Seriality, That I'm Interested In Mixing The Ingratiation Of Wishful Thinking With The Criticality Of Knowing Better.

I'm Trying To Deal With Ideas About Histories, Fame, Hearsay, And How Public Identities Are Constructed.

There's A Moment Of Recognition. It's That White-light Kind Of Stuff That Just "works." I Love That. And You Know It When It Happens, Whether It's A Movie, Music, A Building, A Book.

... The Thing That's Happening Today Vis-á-vis Computer Imaging, Vis-á-vis Alteration, Is That It No Longer Needs To Be Based On The Real At All. I Don't Want To Get Into Jargon - Let's Just Say That Photography To Me No Longer Pertains To The Rhetoric Of Realism; It Pertains More Perhaps To The Rhetoric Of The Unreal Rather Than The Real Or Of Course The Hyperreal.

I Just Say I'm An Artist Who Works With Pictures And Words.