I Have Meant What I Have Done.

Marcel Duchamp, One Of This Century's Pioneers, Moved His Work Through The Retinal Boundaries Which Had Been Established With Impressionism Into A Field Where Language, Thought And Vision Act Upon One Another. There It Changed Form Through A Complex Interplay Of New Mental And Physical Materials, Heralding Many Of The Technical, Mental And Visual Details To Be Found In More Recent Art... He Declared That He Wanted To Kill Art ("for Myself") But His Persistent Attempts To Destroy Frames Of Reference Altered Our Thinking, Established New Units Of Thought, A "new Thought For That Object."

Art As A Fantasy Has Been One Of My Earliest Experiences. I Suppose A Lot Of My Childhood Was A Fantasy That Involved Getting Away From Things I Didn't Like. Fortunately It Had Some Relationship To Reality So That Later I Was Able To, To Some Extent, Act As I Imagined I Might.

I Decided That If My Work Contained What I Could Identify As A Likeness To Other Work, I Would Remove It.

It's Simple, You Just Take Something And Do Something To It, And Then Do Something Else To It. Keep Doing This, And Pretty Soon You've Got Something.

My Experience With Life Is That It's Very Fragmented. In One Place Certain Kinds Of Thing Occur, And In Another Place A Different Kind Of Thing Occurs. I Would Like My Work To Have Some Vivid Indication Of Those Differences. I Guess, In Painting, It Would Amount To Different Kinds Of Space Being Represented In It.