I Have Lived In Countries That Were

Nearly All The Things I Do That Are Of Any Merit At All Start Off Just Being Good Fun.

One Of The Interesting Things About Having Little Musical Knowledge Is That You Generate Surprising Results Sometimes; You Move To Places You Wouldn't If You Knew Better.

The Micro-compositions Are The Pieces Themselves, But The Macro-composition Is The Whole Set Of Them And How It Moves From Track To Track And How The Titles Relate To One Another, For Example. Always When I Do Records Like This Of A Selection Of Instrumental Pieces - The Titles, To Me, Are Very Important.

You Know That In Order To Copyright Material Somebody Has To Write It Down For You. Any Piece Of Recorded Material Has To Be Scored In Order For It To Be Copyrighted. I've Seen The Scores Of My Things And They Don't Resemble The Music In Any Way. If You Give Them To Somebody Who Has Never Heard The Music And Say, "what Does This Sound Like To You?" They'll Play You Something That Has No Relationship With The Music It Derives From. Notation Simply Isn't Adequate.

Culture Is Everything You Don't Have To Do.