I Have Always Loved Horror Very Much.

When I'm Drawing A Bottle Or A Town Or A Market, I Transport Myself There. So I Start Drawing Everything That I'm Looking At While I'm There. Here's A Guy Selling The Meat, And He Will Have A Hook, And You Start Adding Things, And It's A Lot Of Fun.

I Think That True Horror Is Accomplished By Slowly Getting Into Your Brain. The Old Way Is Much More Scary.

A Comic Book Is The Opposite Of A Cartoon. In A Cartoon, You Want To Simplify The Idea, So When They Look At It At A Glance, They Get It. Boom. Simple. Direct To The Point. But When You're Drawing Groo, Now It's A Narrative, A Story. You Want The Viewer To Get Involved In The Story. You Want Him To Feel Like He's In The Town To Follow Your Main Character. So I Love To Add Lots And Lots Of Things In It. Things That People Will Enjoy Going Back To And Say, "oh Yeah, That's How A Market Must Have Looked In This Fantasy World, With People Selling Meat Here And Dishes Here."

The Difference Between Me And Many Young People Is, I Don't Carry Music With Me. I Like To Think. I Don't Use Any Modern Convenience To Be Talking To Other People, Because I Like My Time To Think. I Go To The Garden In The Morning, And This Time, I'm Thinking Ideas, I'm Not Drawing, I'm Thinking.

My Work Is So Unorthodox That From One Panel To The Next, The Drawings Are Completely Different... Totally Opposed To The Way Of Working In Something Like Animation, Where Every Drawing Has To Look Like The One Before.