I Have A Very Low Tolerance For

I Think I Have A Very Clear Vision Of What I Want Things To Look Like.

At A Certain Point, I Realized That I Could Draw Anything, And There Was Nothing I Should Avoid - I Could Make It Work. That's Opened Me Up To Being Able To Be Much More Comfortable Telling Any Kind Of Story.

I Like To Leave A Little Room To Innovate And Change Things Around While I'm Working.

I Was A Very Fearful Little Kid, And I Would Always See The Worst In Everything. The Glass Was Half-empty. I Would See People Kissing, And I Would Think One Was Trying To Bite The Other.

You Have To Find The Tone Of The Piece And Modulate That. There Are Ways To Indicate That - I Try To Incorporate The Biggest Range I Can Within The Story, Going From Humorous To Serious Without It Being Jarring. That's The Hardest Part, To Keep That Balance. It Requires Being Constantly Aware Of Where You Are In The Story. You Can't Really Do That In A Movie: You Can't Slightly Modulate The Tone By The Way The Character's Eyeballs Look In One Certain Scene.