I Guess The Important Thing For Young

Things Have Not Changed As Much As We Would Like To Think They Have. Or Maybe We're Just In Another One Of The Divided Moments In The Country. The Late '60s Certainly Was One Of Them, The Civil War Being Another, But I'm Hard-pressed To Think Of Too Many.

I Had Jumped Off The Edge, And Then, At The Very Last Moment, Something Reached Out And Caught Me In Midair. That Something Is What I Define As Love. It Is The One Thing That Can Stop A Man From Falling, Powerful Enough To Negate The Laws Of Gravity.

No One Can Cross The Boundary Into Another -- For The Simple Reason That No One Can Gain Access To Himself

Actually, Screenplays Were Much More Detailed Than What I Did In The Book In The Book I Had To Invent A Style For Communicating What The Sensation Of Looking At A Film Would Be, Whereas The Screenplays I Wrote In Paris Were Actual Blueprints For How To Do The Film, With Every Gesture, Every Little Movement Noted In Exhaustive Detail.

I Feel That The Act Of Writing, In And Of Itself, Is A Tool Towards Probing That Which You Wouldn't Without That Pen In Your Hand. It's A Strange, Almost Neurological Phenomenon, And The Words Seem To Generate More Words - But Only When You're Writing. You Can't Do It In Your Head.