I Grew Up I Guess You'd Say

I'm A Loser Baby, So Why Don't You Kill Me?

I Just Go In The Studio And Write On The Spot And See What Comes Out.

You Spend So Many Months And Years In The Studio, And You See The Clock Ticking And So Much Time Spent On The Minutiae Of Technical Things. And I Just Thought It'd Be Fun To Do Something Extremely Fast And Get That Rush Of Something That Had Some Energy, Something That You Weren't Tired Of When You Finished It.

There Are Certain Records From The 80s And Early 90s That You Love Because The Songs Are Great, But You Don't Go To Them As An Example Of Great Production. Over The Last 20 Years, Myself And A Lot Of Other Musicians My Age Have Tried To Discover Things In 50s, 60s, And 70s Recording Techniques That Were Lost Or Discarded. We've All Been Trying To Crack This Code. It's Been An Important Period In The Last 15 Years, Reclaiming Some Of Those Lost Approaches To Making Records.

You Can't Please Everybody, Man.