I Fell In Love Again (laughs).

I Had This Spooky Psychological Thing About 'the Piano' Before It Began, Which Was How Everybody Was Going To Go Nuts On The Set. Because A Film Tends To Set Up The Way People Are Going To Behave.

I Think That The Romantic Impulse Is In All Of Us And That Sometimes We Live It For A Short Time, But It's Not Part Of A Sensible Way Of Living. It's A Heroic Path And It Generally Ends Dangerously. I Treasure It In The Sense That I Believe It's A Path Of Great Courage. It Can Also Be The Path Of The Foolhardy And The Compulsive.

For Me, Being A Director Is About Watching, Not About Telling People What To Do. Or Maybe It's Like Being A Mirror; If They Didn't Have Me To Look At, They Wouldn't Be Able To Put The Make-up On.

As For How Criticism Of Keats' Poetry Relates To Criticism Of My Own Work, I'll Leave That For Others To Decide.

There Are Some Things That Are Real, That You Can See, That You Can Observe, Like The Moon, And Grass And Things. But For Ideas To Become Real, They Have To Be Played On Your Senses.