I Exist In Two Places, Here And

The Genesis Of A Poem For Me Is Usually A Cluster Of Words. The Only Good Metaphor I Can Think Of Is A Scientific One: Dipping A Thread Into A Supersaturated Solution To Induce Crystal Formation. I Don't Think I Solve Problems In My Poetry; I Think I Uncover The Problems.

Some Days I Do Appreciate Things More, Eggs, Flowers, But Then I Decide I'm Only Having An Attack Of Sentimentality, My Brain Going Pastel Technicolor, Like A Beautiful-sunset Greeting Cards They Used To Make So Many Of In California. High-gloss Hearts. The Danger Is Grayout.

If You Really Want To Stay The Same Age You Are Now Forever And Ever, She'd Be Thinking, Try Jumping Off The Roof: Death's A Sure-fire Method For Stopping Time.

I No Longer Feel I'll Be Dead By Thirty; Now It's Sixty. I Suppose These Deadlines We Set For Ourselves Are Really A Way Of Saying We Appreciate Time, And Want To Use All Of It. I'm Still Writing, I'm Still Writing Poetry, I Still Can't Explain Why, And I'm Still Running Out Of Time.

You Say, The Sensed Absence Of God And The Sensed Presence Amount To Much The Same Thing, Only In Reverse.