I Encounter Millions Of Bodies In My

The Best Principals Are Not Heroes; They Are Hero Makers.

How Does Meaning Get Into The Image? Where Does It End? And If It Ends, What Is There Beyond?

The Photograph Is An Extended, Loaded Evidence — As If It Caricatured Not The Figure Of What It Represents (quite The Converse) But Its Very Existence ... The Photograph Then Becomes A Bizarre (i)medium(i), A New Form Of Hallucination: False On The Level Of Perception, True On The Level Of Time: A Temporal Hallucination, So To Speak, A Modest (o)shared(i) Hallucination (on The One Hand 'it Is Not There,' On The Other 'but It Has Indeed Been'): A Mad Image, Chafed By Reality.

To Eat Steak Rare . . . Represents Both A Nature And A Morality.

All Those Young Photographers Who Are At Work In The World, Determined Upon The Capture Of Actuality, Do Not Know That They Are Agents Of Death.