I Don't Think About Taking A Risk.

Eugene O'neil Created An American Theater, And Tennessee Williams Taught It How To Sing.

I Think A Playwright Must Be His Own Dramaturg.

The Great Risk Is Always Saying, "how Will I Communicate What I'm Trying To Get Across To A Room Full Of Strangers Sitting In The Dark Watching A Stage?"

The Life Of A Dancer Is Tragically Short. What Is Remarkable About The New York City Ballet Is That It Makes Us Forget That. Because It Keeps The Ballet Alive.

I'm Sure There Are Some Good Dramaturgs But I've Never Worked With One.